|
|
ALEXANDER
ADVANCED TRAINING MAGAZINE |
VOLUME
1 - ISSUE 1 - MARCH, 2000 |
|
|
|
ABOUT THIS ISSUE |
| MASTHEAD
Copyright notice, credits & other information about this issue. |
|
|
|
| A NEW APPROACH FOR WEB TRAINING AND STUDY |
| After two years of publishing and
offering music recording training on the web, Bob Dennis decides on a new approach for the
new millennium. Launching Alexander Magazine is his answer. |
|
|
|
|
RECORDING |
COMPRESSION |
|
BASIC |
|
INTERMEDIATE |
| THE EXCITING COMPRESSOR |
| How to make a vocal sound "right
there" and "clear" without squashing the life out of it with too much
compression. Here's a "trick" used on many hit records from the past.
Republished from a previous REQ issue. |
|
INTERMEDIATE |
|
INTERMEDIATE |
|
ADVANCED |
|
|
ADVANCED |
| ADVANCED USE OF A COMPRESSOR |
| A comprehensive article written on
advanced compression techniques by Ben Blau, Recording Institute of Detroit instructor,
Ben Blau. This article is part of RID's Advanced Recording Course materials. |
|
ADVANCED |
|
|
MIXING |
| RECOMMENDED METHOD OF OBTAINING A MIX |
| The first 15-30 minutes gets your mix
started and determines how well your session goes. These techniques will get the
session started right. (use back button on browser to return here) |
|
BASIC |
| USING COMPLIMENTARY EQUALIZATION |
| A technique of EQ'ing that maximizes
clarity and distinction on instruments. Originally an REQ Tip article edited from RID
Basic Recording materials. (use back button on browser to return here) |
|
BASIC |
| RECOMMENDED EQUALIZATION FREQUENCIES |
| Key frequencies to try when using EQ.
Originally an REQ Tip article edited from RID Basic Recording materials. (use back
button on browser to return here) |
|
BASIC |
| USING THE EQUALIZER'S Q CONTROL |
| A complete look at this poorly
understood and often misused EQ control. Edited from a series of tip articles with
added advanced information. |
|
ADVANCED |
|
ADVANCED |
|
ADVANCED |
|
|
PRODUCTION |
| WHAT IS A
PRODUCER? |
| A producer/songwriter who has earned
over a million dollars with hit records gets together with Bob Dennis to explain what a
producer is, what a producer does and what qualifications are needed. |
|
ADVANCED |
| PLATINUM STANDARDS |
| If you want to engineer, produce, write
or perform a national hit - you need to use professional standards and "tune
into" professional viewpoints - Bob explains how you can accomplish this.
Republished from a previous issue. (use back button on browser to return here) |
|
BASIC |
| DOUBLE PANNING |
| Double tracking has been a widely used
production technique since the 60's. Bob explains the different approaches used and
the best way to set them in the final mix. |
|
BASIC |
|
ADVANCED |
|
ADVANCED |
|
|
PROMOTION &
MARKETING MUSIC |
| THE
NECESSITY OF TEST MARKETING |
| An award-wining record
promotions persons explains why you want to release the record yourself before
"shopping" it to major record companies. Originally an REQ Tip article but
updated for the situation present at the beginning of the new millennium. |
|
BASIC |
| WHEN AND WHEN NOT TO TEST MARKET |
| Your release has the best chance if
released at certain times of the year and practically no chance if released at the wrong
time - here's why. Originally an REQ Tip article. |
|
INTERMEDIATE |
|
INTERMEDIATE |
|
|
HOME RECORDING |
|
BASIC |
| THE BAFFLING WORLD OF HOME RECORDING |
| Part of the reason that professional
studios get such a good recorded sound is through the use of sound-absorbing baffles.
Here are plans for inexpensive baffles you can make for home recording and
suggestions on what to do if you can't even afford the "cheapie" baffles. |
|
INTERMEDIATE |
| SHIELDING BASICS |
| A good recording doesn't have hum or
buzz. The home recordist needs to understand the basics of shielding to get the best
recording. Edited from two Recordist training articles with added information.
|
|
ADVANCED |
|
|
|
Copyright © 2000 by Robert Dennis - ALL RIGHTS
RESERVED |
USE OF THIS ARTICLE SUBJECT TO USER AGREEMENT |